Posted in Darkroom, English, Color, B&W on mai 27th, 2007 No Comments »
Tags:black and white, calibrage, calibration, capteur, color, couleur, howto, ICC, moniteur, monitor, Noir et Blanc, PhotoShop, Tutorial
The picture viewed thru a monitor looks different because this device cannot display as many shades of color as the camera chip can capture. And … if you send the photo to the printer, the result will be slightly different!
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Posted in Darkroom, English, B&W on mai 20th, 2007 No Comments »
Tags:black and white, Darkroom, Effect, howto, PhotoShop, Print, printing, Tutorial
Split toning refers to the traditional black and white darkroom techniques that used chemical processes to color a black and white print. By using different combinations of chemicals, one could achieve a split color effect that made the shadow tones one color and the highlights another.
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Unfortunately BO mode (Black Only, impression only of black ink on paper) completely disappeared from the new Epson R1800 and R800 drivers. As a result, the black and white printing do not exploit the excellent capacities of these printers.
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Posted in Darkroom, English, Color on mai 10th, 2007 No Comments »
Tags:color, Darkroom, epson, howto, ICC, inkjet, PhotoShop, Print, printing, Tutorial
A planned and color calibrated workflow is a must for anyone trying who wants consistent, reproduceable inkjet printing. I strongly encourage you to read my post Printing with ICC profiles.
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Posted in Darkroom, English, Color on mai 9th, 2007 No Comments »
Tags:color, Darkroom, epson, ICC, inkjet, LightRoom, PhotoShop, Print, printing, Tutorial
Colour reproduction is a very complex process, there are many different colour reproduction industries, utilising different media from one to another, although within some industries there may well be multiple media used…
In the 1993, the International Color Consortium was formed eight industry vendors in order to create a universal color management system that would […]
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